In a surprising turn of events, actor Bradley Cooper has responded to Meghan Markle and Prince Harry’s criticism of his highly anticipated film, Maestro.

Known for his acting prowess, Cooper is not holding back when it comes to defending his work against the former Duchess of Sussex’s remarks.

According to insider sources, Markle watched the Netflix trailer for Maestro back in August and had quite a few opinions.

She didn’t shy away from expressing her thoughts, particularly about Cooper’s portrayal of the legendary composer and conductor Leonard Bernstein.

And she didn’t stop at just a subtle critique.

Markle went as far as accusing Cooper of donning Jewface, a term that is highly politically incorrect.

This accusation implied that Cooper’s portrayal was a stereotype of Jewish people.

It was a blow that left many shocked and offended.

But Markle’s critique didn’t end there.

She also accused Cooper of disrespecting Bernstein’s legacy and culture while perpetuating harmful stereotypes about Jewish people.

Markle even suggested that a Jewish actor should have been cast in the role, or at the very least, Cooper should have consulted with Bernstein’s family and the Jewish community.

While one might expect Cooper’s colleagues and fans to come to his defense, they did so in abundance.

Actress Carrie Mulligan, who plays Bernstein’s wife Felicia in the film, stood firmly by Cooper’s side, praising his dedication and talent.

Even Bernstein’s own children were content with Cooper’s portrayal.

Finally breaking his silence on the matter, Cooper spoke out in an interview with The Hollywood Reporter, leaving no stone unturned.

He expressed his shock and hurt over Markle’s criticism, making it clear that he had put extensive research and preparation into the role.

Cooper emphasized his utmost respect and admiration for Bernstein and his music.

Regarding the prosthetic nose that Markle specifically mentioned, Cooper explained that it was an attempt to faithfully replicate Bernstein’s physical features and personality, as described by Bernstein’s children.

He wanted to pay homage to the composer, not offend or mock anyone.

Throughout the filmmaking process, Cooper consulted extensively with Bernstein’s family and his co-writer, Josh Singer, who is Jewish.

Their feedback and encouragement were nothing but positive.

Cooper made it a point to address Markle’s claim of anti-Semitism, stating unequivocally that he has many Jewish friends and colleagues whom he respects and loves.

He also proudly declared his support for Israel, revealing his multiple visits to the country.

Cooper couldn’t help but wonder if Markle had ulterior motives in singling him out.

He accused her of trying to stir up drama and grab the spotlight, suggesting that she might be envious of his success and popularity.

Calling her hypocritical and ungrateful, he advised her to focus on her own issues instead of targeting him.

In the face of Markle’s critique, Cooper stands tall and proud of Maestro.

He hopes that audiences will see the film as a tribute to Bernstein and his music, a true celebration of the composer’s life and legacy.

Cooper refuses to let Markle tarnish his film or his reputation, and he remains hopeful that the public will appreciate the hard work and dedication that went into bringing Maestro to the screen.