Meghan Markle, the Duchess of Sussex, is rumored to be diligently crafting her own autobiography, as per Hollywood gossip columnist Janet Charlton.
This revelation comes hot on the heels of the resounding success of her husband Prince Harry’s candid memoir, “Spare,” which took the literary world by storm.
While there has been no official confirmation from Meghan herself regarding this project, an inside source has disclosed that she has already penned around one-third of the book and has even settled on a title – “Shade.”
The choice of title holds significant meaning for Meghan, as it is a word that has historical connotations related to racial discrimination.
The source hints that the term “Shade” was used in the context of questioning the potential skin tone of Meghan and Harry’s son Archie by a member of the royal family.
Feeling slighted by the royal establishment, Meghan apparently sees the title as a symbolic response to the perceived treatment she received.
Moreover, inspired by the success of Harry’s book with its succinct title, Meghan aims to emulate his literary path with her own work.
Renowned biographer Tom Bower, known for his work on the couple in “Meghan and Harry: Revenge,” shared insights on GB News, suggesting that Meghan’s memoir could be a lucrative venture.
The origins of this book project trace back further, with reports indicating that Harry’s memoir was part of a larger publishing deal involving multiple works.
Initially, speculations hinted at a wellness guide authored by Meghan, diverging from the tell-all narrative associated with Harry’s book.
Interestingly, Meghan’s venture into children’s literature with “The Bench,” published by Random House Children’s Books under the umbrella of Harry’s publisher Penguin Random House, adds a layer of intrigue.
While conjectures swirl about a potential third book in the making, industry practices of offering multi-book deals raise questions about the scope of Meghan’s literary endeavors.
Royal commentator Neil Sean shed light on the stringent demands faced by Meghan, including the submission of three chapters before any financial compensation.
The complexities of navigating the publishing world, as elaborated by Neil, underscore the cautious approach taken by publishers when handling high-profile projects.
The need for stringent security measures to safeguard the integrity of the manuscript highlights the delicate balance between confidentiality and commercial interests in the literary domain.
Meanwhile, Lady Colin Campbell has expressed skepticism about Meghan’s foray into memoir writing, citing public fatigue with the couple’s controversies and fabrications.
Lady C’s reservations about the potential reception of Meghan’s book echo concerns over its market viability and impact on her reputation.
Drawing parallels with previous literary disappointments, Lady C foresees a challenging road ahead for Meghan if she proceeds with the memoir.
The uncertainties surrounding Meghan’s narrative journey underscore the intricate interplay of personal storytelling, public perception, and commercial success in the realm of celebrity memoirs.