In a move that has many royal watchers buzzing, Meghan Markle recently released a trailer for her upcoming Netflix series, “With Love, Meghan,” which has drawn sharp comparisons to the well-established interests of Catherine, Princess of Wales.

The trailer, unveiled on January 2, 2025, features Meghan engaging in activities that closely mirror those of her sister-in-law, raising eyebrows and igniting debates across social media.

Perhaps the most striking similarity is Meghan’s newfound passion for beekeeping, a hobby that Catherine has embraced since becoming a working royal.

The Princess of Wales has been actively involved in environmental conservation and has maintained beehives at Anmer Hall since 2019.

Her dedication to sustainability has not only garnered admiration but also seen her share homemade honey with schoolchildren during public engagements—a gesture that reflects her genuine commitment to community involvement.

Royal commentator Victoria Armstrong remarked on the timing of Meghan’s beekeeping reveal, noting that it seems rather convenient.

“Catherine has quietly pursued these interests for years, making a genuine impact without fanfare,” she pointed out.

In contrast, Meghan’s sudden foray into apiculture appears to coincide perfectly with the promotional push for her Netflix series, leading many to view it as somewhat opportunistic.

The parallels don’t stop at beekeeping.

The trailer also showcases Meghan arranging flowers, a skill that Catherine has long been known for, especially since her wedding to Prince William.

Catherine has showcased her love for floristry through various charitable initiatives and events like the Chelsea Flower Show.

Meghan’s flower arranging, however, comes with a Hollywood flair that suggests a focus on entertainment rather than heartfelt service.

Cooking segments in Meghan’s show further echo Catherine’s charitable cooking endeavors, but again, with a noticeable difference in production value.

While Catherine uses cooking as a means to engage with communities and support mental health initiatives, Meghan’s approach seems more centered on lifestyle content creation, raising questions about authenticity versus performance.

Royal historian Edward Fleming highlighted this fundamental difference: “Catherine’s activities have always served larger causes, integrated seamlessly into her royal duties.

What we see from Meghan appears to be more about brand building.”

This distinction has become increasingly apparent as Meghan’s series gears up for release.

Critics have also noted the timing of Meghan’s announcement, which coincided with Catherine’s recent accolades, including a successful Christmas Carol concert and ongoing efforts in early childhood development.

Media analyst Sarah Richardson suggested that this pattern of announcements from the Sussexes often aligns with positive press surrounding the Princess of Wales, leading to speculation about Meghan’s motives.

In the trailer, Meghan is seen hosting friends at her Montecito residence, which mirrors Catherine’s preference for intimate home gatherings.

However, while Catherine’s gatherings are kept private, Meghan’s come with the added spectacle of Netflix cameras, further blurring the lines between personal and performative.

Social media has erupted with opinions on the matter, with supporters of both women weighing in.

While Meghan’s fans praise her modern take on traditional pursuits, critics argue that her actions reflect calculated imitation rather than originality.

One outraged royal enthusiast declared, “Meghan can’t seem to come up with any original ideas of her own.”

As details about Meghan’s series continue to emerge, it appears that her beekeeping venture is not just a casual hobby but a central theme of the show.

Critics have pointed out that this seems like an attempt to capitalize on Catherine’s established advocacy for bee conservation, particularly following the Princess’s recent high-profile visit to a local apiary.

Environmental activist Olivia Greenwood expressed disappointment over the situation, stating, “Catherine has made a significant impact, and to see Meghan try to piggyback off of that is disheartening.”

With the contrasting styles of the two Duchesses becoming increasingly apparent, it raises the question of whether Meghan can carve out her own identity or if she will continue to draw inspiration from Catherine’s well-trodden path.

As the premiere date for “With Love, Meghan” approaches, the discourse surrounding the series is unlikely to wane.

While Catherine remains focused on her work with authenticity and discretion, Meghan’s approach, laden with marketing campaigns and high-production values, suggests a different agenda altogether.

The stark contrast between genuine service and performance art in the royal spotlight continues to fuel discussions among fans and critics alike.