As 2023 draws to a close, the saga of Prince Harry and Meghan Markle continues to unfold, capturing the attention of royal watchers and critics alike.
The latest developments signal a desperate attempt by the couple to cling to their fading relevance, reminiscent of a reality TV show that has long overstayed its welcome.
Recently, Meghan appears to be reaching out to her connections with Princesses Beatrice and Eugenie, seemingly in a bid to salvage their precarious Netflix deal.
But is this strategy as effective as they hope?
Having severed ties with key members of the royal family, the Sussexes now find themselves attempting to leverage their relationship with the York princesses.
It’s almost laughable when you think about it—like trying to stay in the Hollywood spotlight by claiming to know someone who once catered an event.
Their Netflix journey began with “Harry and Meghan,” which drew viewers mainly due to the couple’s victim narrative while living lavishly in their $14 million mansion.
However, since that initial success, the silence has been deafening.
Their latest endeavor, “Heart of Invictus,” flopped significantly, and now they’re banking on a show about polo.
Yes, polo—a sport often associated with privilege and elitism.
As Richard Fitzwilliams aptly pointed out, releasing a show about such an elite pastime during a cost-of-living crisis is a glaring misstep.
It’s almost like the Sussexes are oblivious to the realities faced by everyday people.
What’s particularly striking is the sheer desperation emanating from their every move.
Remember when they claimed to seek privacy?
Now, it seems they’re willing to monetize any remaining royal connections they haven’t already alienated.
It’s akin to watching someone saw off the branch they’re sitting on while trying to sell tickets to the spectacle.
The dwindling list of their allies is telling.
According to Fitzwilliams, their only remaining connections appear to be Meghan’s mother, Doria, and the York sisters.
Once part of a prestigious family, they now find themselves isolated, having burned bridges for the sake of Netflix views and Spotify deals.
With their Netflix contract up for renewal next year, it’s hard not to wonder if the streaming platform’s executives are questioning whether the Sussex story still holds any value.
After all, how many times can they retell their narrative before audiences begin to tune out?
The fact that Harry and Meghan aren’t even featured in the trailer for their own polo show speaks volumes about their declining star power.
As King Charles solidifies his reign and William and Catherine demonstrate genuine royal service, the Sussexes are left grasping at straws.
Their attempts to stay relevant feel increasingly forced, like that one relative who insists on recounting a grievance from years past at every family gathering.
The contrast between the working royals and the Sussexes couldn’t be more apparent.
Eugenie and Beatrice, in particular, have managed to maintain their dignity amidst the chaos, supporting the monarchy without resorting to attention-seeking tactics.
They could have imparted valuable lessons on grace to Harry and Meghan had they chosen to listen.
Instead, the Sussexes seem intent on dragging others into their self-created circus.
The timing of their polo show is baffling.
In a world rife with pressing issues—from economic challenges to climate change—choosing to focus on a sport synonymous with wealth is a tone-deaf decision.
Remember when Harry played polo for charity?
That was when he understood the potential of his royal status for good, rather than merely as a vehicle for content creation.
It’s almost predictable how Harry and Meghan’s relevance ebbs and flows, with new projects and controversies popping up whenever they begin to fade from public interest.
Yet, the numbers speak for themselves.
People initially tuned in out of curiosity, but as their narrative grows stale, the question remains: what’s left to tell?
The irony is that had they remained working royals, they would have had endless opportunities to share meaningful stories and effect real change.
Instead, they’ve reduced themselves to producing content about polo, a subject of little interest to most viewers.
Their attempts to leverage ties with Eugenie and Beatrice reveal a desperation that underscores their struggle for relevance.
The reality is that the Sussex brand is slowly unraveling, and their efforts to remain in the limelight are increasingly transparent.
With Netflix distancing itself from them—evidenced by their lack of presence in the polo show trailer—it begs the question: what’s next for the couple?
If their Netflix deal doesn’t get renewed, what will they do to stay afloat?
More interviews?
More books?
The same old grievances?
In a world where true relevance stems from meaningful contributions, the Sussexes have yet to grasp that lesson.
They’ve built their post-royal identity around victimhood, but that narrative has a limited shelf life.
People crave innovation and progress, not rehashed tales of woe.
Ultimately, the Sussexes squandered a golden opportunity to be powerful agents of change within the royal family.
Instead, they find themselves struggling to create engaging content while the Prince and Princess of Wales forge ahead with impactful work.
The stark contrast between their paths becomes clearer by the day, highlighting just how far the Sussexes have fallen from grace.