Kate Middleton’s uncle, Gary Goldsmith, has expressed his strong disapproval of Omid Scobie’s new book, Endgame, which delves into the lives of the Duke and Duchess of Sussex.
In an article published by The Daily Mail, Goldsmith criticizes Scobie’s portrayal of his niece, calling it a “one-dimensional depiction” and questioning the author’s credibility.
Goldsmith raises the question of whether Scobie truly believes that Meghan Markle is the Cinderella of the story, while Princess Diana is portrayed as an ugly stepsister.
He dismisses this notion as ridiculous and questions the fantasy world in which Scobie wants readers to believe.
The author aims to paint Meghan as a victim of the royal family, with Catherine being depicted as the orchestrator of racist comments towards Archie’s unborn child.
Expressing his disgust, Goldsmith describes the book as nauseating, stating that he found it difficult to finish due to its anger-inducing content.
He highlights the excessive focus on William and Kate, mentioning the princess 291 times and dedicating an entire chapter to her.
Despite these attacks, Goldsmith admires how the couple continues to carry out their duties with integrity and resilience.
Goldsmith suggests that Meghan’s obsession with Catherine is one reason she can never return to the UK.
He expresses concern that Meghan’s intense fixation on Catherine may lead her to take drastic actions to replace her.
Goldsmith firmly believes that Meghan’s desire to be queen and her envy of Catherine are at the core of this animosity.
Addressing the Dutch translation of the book, which names Catherine and King Charles as alleged royal racists, Goldsmith finds it utterly ridiculous to consider his niece as racist.
He emphasizes that racism is not inherent in anyone but rather influenced by one’s environment.
Growing up in southwest London, both Goldsmith and Kate’s mother, Carol, never considered race or other factors as barriers to friendship.
Goldsmith acknowledges that it is heartening to see the support William and Catherine receive from the UK public, who see through the lies propagated in Scobie’s book.
He condemns the character assassination of Catherine, recognizing her as a human being with feelings, despite her ability to hide any distress caused by such attacks.
Referring to the standing ovation William and Kate received at the Royal Variety performance, Goldsmith asserts that the British public does not believe the absurd claims made in the book.
He criticizes Scobie for using personal opinions to weave a tapestry of falsehoods, milking his relationship with the Sussexes for personal gain.
Goldsmith suggests that the book’s release will make it even more challenging for the royal family to reconcile with Harry and Meghan in the future.
He reflects on how the rumors of the couple’s invitation to Sandringham for Christmas have faded, as it becomes increasingly unlikely that the royal family would welcome them back.
Expressing his support for the family, Goldsmith condemns Meghan’s attempt to attack Catherine’s mother, Carol.
He dismisses Scobie’s claim that Carol orchestrated Kate’s relationship with William, emphasizing that St. Andrews University was the best choice for Kate’s studies.
He ridicules the idea that Carol plotted a devious strategy to ensure Kate’s place in William’s life.
Goldsmith also defends Catherine against Scobie’s assertion that she is work-shy.
He praises the couple’s efforts to modernize the monarchy while prioritizing their loved ones alongside their duties.
He points out that if anyone deserves the label of laziness, it would be Meghan Markle, who, in his opinion, lacks the same work ethic.
In conclusion, Goldsmith expresses his gratitude for someone close to Kate standing up for the family.
He acknowledges the difficulty faced by William and Catherine, who are bound by the royal family’s tradition of never complaining or explaining.
However, he believes that the book’s existence poses a threat to the monarchy and hopes for an official response from the royal family to counter the damaging effects of Scobie’s narrative.
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